Sound Lab
The Sound Lab is a universe of
sound, timbre and texture. Here
we try out new things and zoom
in on the many dimensions of sound.
Sound Sessions
Enjoy our master classes in all
things music with professors and
skilled musicians teaching and
inspiring.
NEW STRINGS
Find the perfect set of Jargar Strings for your instrument or put together your personal set by choosing individual strings. Every string comes with a description and a technical run-down.
Rolston Quartet
“The powerful, yet sensitive Jargar Superior Strings allow us to create unlimited, wide-ranging variety of colours, nuances, and subtleties, while simultaneously enabling us to produce a unified quartet sound.”
Plays Superior
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Niklas Walentin
“If you could choose your own vocal cord, would you compromise? I play Jargar Superior for the best representation of my inner sound.” “After a lifetime of practicing, it is not worth compromising on the last detail between you and the audience. I choose Jargar Superior as the best messenger of the music I play.”
Plays Violin Superior
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Soo-Kyung Hong
“Jargar Strings has been my musical companion since my early childhood years in Seoul and all the way through my study years in Vienna and Cologne to the present in Copenhagen. Jargar Superior gives a unique glow and depth to my cello sound and inspires me every day to explore every spectrum of the sound.”
Plays Cello Superior
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Sophie Abraham
“I love playing Jargar Superior Strings because my cello sounds strong, deep, and shiny at the same time. The many overtones evolve very freely and enable me to express my musical emotions in unlimited different ways. After winding up the Jargar Superior Strings, they immediately sound as they should and stay in tune after only very short play. And what I absolutely love about them is that their quality stays high for very long.”
Plays Cello Superior
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Quartetto Guadagnini
We work together to create our sound idea, our interpretation idea, our string quartet idea but all this is also possible thanks to Jargar Superior. The nuances, the warmth, the powerful sound, the clarity of emission are all characteristics that the Superiors have made possible and we can no longer do without it!
Plays Superior
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Marc Sabbah
“With Jargar Superior, my viola responds so effortlessly. Their versatility allows me to press hard or float across the strings and express what’s in my heart. Jargar Superior Strings help my viola sing! I wonder what took me this long to discover them. Even after playing Jargar (Superior) Strings for some years now, I can honestly say I can rely on them to be stable, react when I want them to, project well, and give me more colours than a painter.”
Plays Viola Superior
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Kyril Zlotnikov
“What an amazing discovery!!! The Jargar Superior Strings just opened an extra dimension on my 1706 G.B. Ruggieri cello! It is like finding a New galaxy of extra power, preciseness, as well as new wonderful colours and nuances. They bring out many hidden abilities of my instrument that I wasn’t even aware [it] is capable of! These are truly SUPERIOR strings in every sense, and I definitely recommend all the cellists to try them. Bravo to Jargar Strings! I’m happy to become part of your family!”
Plays Cello Superior
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Elia Bastida
“The strings that fit your instrument from the first time. Warmth and strength, a perfect combination. You will love it!”
Plays Violin Superior
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Fabian Boreck
“For my 1764 in Paris built Salomon-cello, with its unique, typically French but also sometimes challenging sound, I was on the search for the best strings to get out the most balanced but individual sound. It has to fit in orchestra and chamber music playing as well as on the stage as a soloist. With the Superior Strings, I found the optimum for a sonorous bass up to a powerful bright but, very important on that cello, warm treble register. So, after [a] few years and trying different companies, I found in Jargar the best for my cello and me.”
Plays Cello Superior
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Johannes Przygodda
“Since I started playing the cello, Jargar Strings has accompanied me on my musical journey. On these strings, I can show endless variety and ideas in my sound, and they work equally well playing in all kinds of setups: as a soloist, chamber musician, or in an orchestra. I can rely on their outstanding quality every time I play, and I’m very glad to have found such perfect strings for me.”
Plays Cello Superior
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Jonathan Swensen
“I’m playing on Jargar Strings on the A and the D string. They create a huge variety of colours. I love to have that huge amount of overtones. They also react very well when I go close to the bridge and when playing away from the bridge. I feel like Jargar Strings creates a very warm sound. The strings make it easy for me to feel comfortable when playing.“
Plays Cello Classic
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Noémi Zipperling
“Among all violin strings, the Jargar Superior are my all-time favourite! They allow a perfect balance between great response and variety of colours, which is very important for me as a quartet player. Because of their brilliant yet warm and flexible tone, the Jargar Superior Strings are an ideal companion.”
Plays Violin Superior
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Anna Katharina Wildermuth
“As Primaria, I am looking for a sound that fits in well with the quartet on the one hand and on the other hand possesses great charisma at decisive moments and can prevail with a soloistic sound. For me, the Jargar Strings are a perfect mix. You have a good response without having to force [it and can] develop a warm sound and have a wonderful assertiveness without sounding hard.”
Plays Violin Superior
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Trio Arbos
“Finally, the ideal strings to achieve an essential goal in chamber music: perfect balance. Jargar Superior Strings combine, from the very first moment, an exceptional tonal quality with an extraordinary projection. You need to try them!”
Plays Superior
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Youming Chen
Superior set is characterized by an exceptionally balanced tonal quality and the ability to create the most subtle expressive nuances. Prized not only for their wide palette of colours, but also for their consistency and durability, they are to be found wherever violists are looking for more control of what the string does.”
Plays Viola Superior
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Jan Vogler
“I have always preferred Jargar Strings to other brands and have played them all my life. But for the past few years, I am especially happy with the Jargar Superiors. They make my Strad sound brilliant and warm at the same time and give me a feeling of having enough power in tone without losing flexibility.”
Plays Cello Superior
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Natalie Clein
“For geological layers of sound possibilities, singing beauty, and enduring resonance, Jargar A and D are the only strings for me.”
Plays Cello Classic
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Fabrizio Zoffoli
“I'm not sure you'll get rich but one thing is absolutely certain: the Evokes make your instrument rich with so many nuances and with so much power”.
Plays Violin Evoke
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Daniel Clark
“Jargar Strings are superior; they make me feel at one with the bass and with their immense sound and playability, they are a cut above the rest.” “Jargar strings make me feel at one with the bass.”
Plays Bass Classic
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Evoke
A new powerful sound
Evoke by Jargar Strings brings out the essence of the Jargar sound with a new freshness and power.
READ MORE ABOUT EVOKE
Young Talent
Strings to mature your skills
Sit in on master classes in all things music with professors and skilled musicians teaching and inspiring.
Learn from Professor Eszter Haffner
Jonathan Swensen
Cellist
“I love that huge amount of overtones and the strings makes it easy to feel comfortable.”
SEE SOUND TALK WITH Jonathan swensen
Superior
The expressive sound
The Superior by Jargar Strings – the sound aesthetics demanded by violists. Here you can express the most subtle nuances with depth and focus.
SHOP SUPERIOR STRINGS
MEET
THE MUSICIANS AND THEIR SOUNDS
Other musicians can be helpful when you’re in the process of finding your own sound. Hear how they work, how they practice, and how they go about finding their personal sounds.
MEET
THE MUSICIANS AND THEIR SOUNDS
Other musicians can be helpful when you’re in the process of finding your own sound. Hear how they work, how they practice, and how they go about finding their personal sounds.
JONATHAN SWENSEN
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